Jeff's Motto: think beyond convention.
When I click the white smoke white gets keyed out but its full of fragements and ultra pixely like a pic thats been compressed to death.
Right layer is selected and Im not in a different window. Jeff is eager to attack any project head-on. Put Keylight 1.2 on the clip, a magenta solid below the clip and clicked on the black background to key it out. He enjoys creating media-marketing social networking campaign for personalities such as 13-time world boxing champion Tori Nelson, Netflix's "Narcos" personalities Steve Murphy and Javier Pena, and renowned landscape photographer Frank Lee Ruggles. Filming takes him to Micronesia, Guam, Hawaii, Canada, and locations across the U.S. history and the search for those 15 lost souls abducted in 1938, the true first act of war with Japan. Jeff is looking for funding investors and co-producing "The Lost Clipper," a two+ decades project about the first hijacking in U.S. Outside of the workplace, Jeff keeps himself busy with the creation of festival worthy documentaries "Tori Nelson: Fighting for Her Future" and once nominated and two time Emmy award winning "A Journey of Education and Remembrance." His short film "The Great Realisation" captured the eyes at 18 international film festivals with various winning honors a poem that takes on heavy themes such as fevered capitalism, man-made ecological issues, digital addiction and, of course, the current global blight.
The core algorithm was developed by The Computer Film Company (now Framestore) and has been further developed and ported to After Effects by The Foundry. Keylight is an industry-proven blue and green screen keyer. For two decades, Jeff Riegel was a former senior level Producer/Editor for the Department of Defense and various government contractors in Northern Virginia. The Foundry Keylight INTRODUCTION Welcome to this User Guide for Keylight on After Effects.